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He played Mozart in the premiere of Peter Shaffer's Amadeus at the National Theatre (1979), also appearing in the 1983 BBC original cast radio production. In 1985, he played Molina in The Kiss of the Spiderwoman at the Bush Theatre, London.
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Ĭallow appeared as Verlaine in Total Eclipse (1982), Lord Foppington in The Relapse (1983), and the title role in Faust (1988) at the Lyric Hammersmith, where he also directed The Infernal Machine (with Maggie Smith) in 1986. In 1977, he took various parts in the Joint Stock Theatre Company's production of Epsom Downs, and in 1979, he starred in Snoo Wilson's The Soul of the White Ant at the Soho Poly. In the early 1970s, he joined the Gay Sweatshop theatre company and performed in Martin Sherman's critically acclaimed Passing By. Ĭallow made his stage debut in 1973, appearing in The Three Estates at the Assembly Rooms Theatre, Edinburgh.
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While watching actors rehearse, he realised he wanted to act. Career Acting Ĭallow's immersion in the theatre began after he wrote a fan letter to Sir Laurence Olivier, the artistic director of the National Theatre, and received a response suggesting he join their box-office staff. Callow was educated at the London Oratory School and then went on to study at Queen's University Belfast in Northern Ireland, where he was active in the Northern Ireland civil-rights movement, before giving up his degree course to train at the Drama Centre London. His father was of English and French descent and his mother was of Danish and German ancestry.
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Callow was born in Streatham, London, the son of Yvonne Mary (née Guise), a secretary, and Neil Francis Callow, a businessman.